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Why would she do it when she knows the devastation that unwanted pregnancies. At the same time as they talk about the brutalizing effects of Beyoncé's nudity, both O'Reilly and hooks capitalize upon it.

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Downing Centre Local Court magistrate Clare Farnan on Thursday found the seriousness of his offending meant he could be imprisoned.

However she ordered Patterson to be assessed for an intensive corrections order, which would allow him to serve his sentence in the community under strict supervision.

I don't mean to question the sincerity of O'Reilly's concern about media sexualization, nor to suggest that hooks wanted her comments to go viral.

But intentionally or not, they both end up using Beyoncé's body to broadcast their message of a more conservative or radical world.

A Sydney police officer who secretly filmed a colleague while they were having sex and uploaded it to a social media platform may be spared jail time over his "demeaning" and "appalling" behaviour.

Timothy Michael Patterson, 28, has been found guilty of three counts of filming the woman in a private act without her consent and of using a carriage service to menace, harass or offend.

From the right, Fox pundit Bill O'Reilly used a segment of his show to express shock at Beyoncé's video "Partition," in which she presents herself having sex in a limo with her husband while name-dropping Monica Lewinsky.

According to O'Reilly, "Teenage girls look up to Beyoncé, particularly girls of color. O'Reilly sees himself as defending conservative family values against a corrupting mainstream entertainment industry; hooks sees herself as a radical fighting against "imperialist, white supremacist capitalist patriarchy." But both are worried about the effect of Beyoncé's sexualized body on young girls, and both see that effect in violent terms—as "devastation" and terror.

cover, and then (when Janet Mock assured her that no one is putting out Beyoncé covers without Beyoncé's approval) suggested that Beyoncé "is colluding in the construction of herself as a slave.” I think hooks has good points about the cover overall; Beyoncé is presented as child-like and vulnerable in a way that fits with images of black women as disempowered, available for men, and abused. But libertory or not, it's Beyoncé's image hooks herself is using, just as it's Beyoncé's image O'Reilly deploys to generate moralistic panic.

Hooks was speaking in an academic setting, and the When you talk about Beyoncé, people listen—which is why hooks's comments about the singer have gone viral, while the rest of the discussion (which included author and activist Janet Mock, filmmaker Shola Lynch, and author Marci Blackman) has largely been ignored.

The video for "Partition" starts off in an elegant mansion, with Beyoncé sitting demurely a table, radiating a repressed-librarian heat.

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