The choice moment, by contrast, belongs to a solo piano version of Fog, performed by Thom Yorke at the 2002 Bridge School Benefit.

The Baroque arrangements and ornately articulate baritone (and, occasionally, soaring falsetto) remain in full force, but the lyrical content clearly reflects a shakeup in Hannons long term priorities.

The aggrieved Leaving Today reveals the artist checking in on his young daughter before heading off on the road; the delightfully airy Come Home Billy Bird follows a travel-weary businessman who cant wait for his journey to end; the cavernous Freedom Road details a trucker hanging up his CB radio for the final time.

Influences vary, from Bruce Springsteen and his E Street Band (especially evident Hostile, Mass.

and its use of brass) and Billy Joel (Certain Songs) to the Replacements (appealingly messy rhythms) and Hsker D (Finns biting lyrics).

Radiohead: Com Lag: 2 2=5 [EP] EMI Toshiba, 2004 Rating: 3.0 Radioheads remix/B-sides/noise-farts collection Com Lag suffered from a first-pressing glitch on Four Tets remix of Scatterbrain.

Subsequent releases have corrected the problem, but that still doesnt overcome the EPs main shortcoming: the bulk of the material here simply isnt very engaging.

Love gets a Grand Ole Opry-style makeover, complete with swinging rhythm and livelier vocals; Pushkin exchanges its spare acoustic simplicity for a piano-and-gospel harmonizing arrangement.

The misses, however, are whoppers: Ohio River Boat Song is drained of its emotional power, running a minute and a half shorter and reborn as a jaunty fiddler tune, and Horses just isnt the same sans its blazing guitar work.

Com Lag is useful for the rabid B-side and rare track collector who can save funds by getting everything from the Hail recordings on one tidy package. Bonnie "Prince" Billy: Greatest Palace Music Drag City, 2004 Rating: 3.5 Fans of Will Oldhams Palace catalog finally get their wish for a greatest hits collection.

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