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The histories of women artists need to be retrieved, and the meanings behind images of women need to be revealed.In a series of essays, Arnold tackles these gender-based topics, first examining pre-twentieth century women artists and the depictions of women in South Africa by artists of both genders.

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The selection of 150 paintings by Alexander and Cohen, though inevitably subjective, does try to present a healthy cross section of South African canvasses right up to the present.

For each color plate, they give some background on the artist and some commentary on the work itself.

The 100 are: Alan Alborough, Jane Alexander, Siemon Allen, Bridget Baker, Bongi Bengu, Kim Berman, Willie Bester, Willem Boshoff, Conrad Botes, Andries Botha, Wim Botha, Kevin Brand, Candice Breitz, Lisa Brice, Jean Brundrit, Pitso Chinzima, Peter Clarke, Steven Cohen, Marlene Dumas, Zamaxolo Dunywa, Paul Edmunds, Garth Erasmus, Ângela Ferreira, Rookeya Gardee, Kendell Geers, David Goldblatt, Thembinkosi Goniwe, Frances Goodman, Kay Hassan, Matthew Hindley, Sipho Hlati, Nicholas Hlobo, Stephen Hobbs, Robert Hodgins, Fanie Jason, Sfiso Ka Mkame, Alison Kearney, William Kentridge, Sharlene Khan, Nkosinathi Khanyile, David Koloane, Dorothee Kreutzfeldt, Terry Kurgan, Moshekwa Langa, Brenton Maart, Noria Mabasa, Churchill Madikida, Langa Magwa, Zamani Makhanya, Mustafa Maluka, Thando Mama, Senzeni Marasela, Zen Marie, Colbert Mashile, Kagiso Pat Mautloa, Samson Mnisi, Santu Mofokeng, Samson Mudzunga, Thomas Mulcaire, Brett Murray, Christian Nerf, Gabisile Ngcobo, Sam Nhlengethwa, Gabisile Nkosi, Vuyisa Nyamende, Sophie Peters, Johannes Phokela, Thabiso Phokompe, Cameron Platter, Thembeka Qangule, Jo Ractliffe, Robin Rhode, Colin Richards, Tracey Rose, Roderick Sauls, Claudette Schreuders, Peter Schütz, Berni Searle, Usha Seejarim, Durant Sihlali, Penny Siopis, Dinkies Sithole, Kathryn Smith, Mgcineni Sobopha, Doreen Southwood, Greg Streak, Guy Tillim, The Trinity Session, Andrew Tshabangu, Clive van den Berg, Hentie van der Merwe, Minnette Vári, Nontiskelelo Veleko, Diane Victor, Jeremy Wafer, Ernestine White, Sue Williamson, Nhlanhla Xaba, Ed Young, and Sandile Zulu.

Reviewed by Kim Gurney in "What is a South African artist? This is neither the first nor the last time that that question arises in South Africa, but Alexander and Cohen offer their own definition.

Landscape painting and botanical art, areas that attracted women artists, are discussed in separate essays.

"Portrait of servitude" examines depictions of women as servants.

Ten years after the transition to democracy in South Africa, 10 years, 100 artists appeared.

This art publishing project was a collaborative and sometimes contentious process: how to choose 100 South African artists.

Success led to the expansion of Ardmore, which now engages several dozen ceramicists both men and women, who make highly decorated functional ceramic ware as well as sculptures.

The history and growth of Ardmore are documented in this well-illustrated book.

Most of the paintings illustrated are from public South African collections. Reviewed by Amanda Jephson, "Paint and popular texture: making South African art accessible," is the catalog of an exhibition held at the Daimler Contemporary, Potsdamer Platz, Berlin, June11-October 10, 2010.

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