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The show has received universally negative reviews, for encouraging women to base their self-worth on their appearance, and normalising cosmetic surgery.

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Beth placed runner-up, with Cindy second runner-up. Marwick also suggests that cosmetic reality television encourages viewers to frame their family, financial, or social problems in bodily terms, and portrays surgical procedures as an everyday and normal solution.

The Swan draws from cultural discourses of plastic surgery and self-improvement culture to frame cosmetic surgery as "a morally appropriate means to achieving an authentic self".

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Contestant Tanya dropped out of the show (on her own accord) after being caught with a mirror (which is against the rules of appearing on the series), so Merline was automatically in the swan pageant. After 9 episodes and 16 makeovers it was announced that De Lisa Styles had won the swan pageant. Journalist Chris Hedges also criticized the show in his 2009 book Empire of Illusion, writing "The Swan's transparent message is that once these women have been surgically 'corrected' to resemble mainstream celebrity beauty as closely as possible, their problems will be solved". Douglas criticized the show in her book The Rise of Enlightened Sexism for its continuation of a negative female body image, claiming that "it made all too explicit the narrow physical standards to which women are expected to conform, the sad degree to which women internalize these standards, the lengths needed to get there, and the impossibility for most of us to meet the bar without, well, taking a box cutter to our faces and bodies".

After 9 episodes and 16 makeovers it was announced that Rachel Love-Fraser had won the swan pageant. Author Alice Marwick believes that this program is an example of "body culture media", which she describes as "a genre of popular culture which positions work on the body as a morally correct solution to personal problems".

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