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The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty's touring band.

God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM).

No Joy are the latest to contribute to the legendary series, following artists like Yusuf/Cat Stevens, Margo Price, and Coupler. Led by carnival barker (and band namesake) Kore Rozzik, the band has gained a reputation as a can't-miss live act and have supported such well-known bands as John 5, Disturbed, Rob Zombie, Buckcherry, L. Locate S,1 is the result of a seasoned songwriter cum lo-fi home-recorder delving into the world of mid-fi pop, with results that are pleasantly difficult to define. , SNUFF, Op Ivy, Descendents, NOFX, Misfits, Lagwagon - they've even managed to turn a Propagandhi track into a ska song, proving that ska doesn't suck after all!

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The Jack Shirley-produced and Nick Steinhardt-art directed (of Touch Amor) collection gets its title from Graham Greene's novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imperfection and simple beauty.

Deafheaven's new album, Ordinary Corrupt Human Love, finds them working with old friends again.

Eventually they played one show in Normal, IL, opening up for Guitar Wolf. Recorded and mixed by Amaury Sauve at The Apiary, and mastered by Thibault Chaumont at Deviant Lab.

One day was spent learning songs, one day recording songs. "We Already Lost the World" is their latest, a stunning nine song album that blends post punk and angular rock influences into something emotional and electric.

Thalia Zedek is one of the most distinctive and acclaimed purveyors of shredded blues and has been a been a seminal figure in the independent music scene for over 30 years.

The members of E have decades of experience in the alternative scenes of rock music through their work with Live Skull, Uzi, Come, Neptune, and Karate.

This edition restores the original tracks from the recording session - Eric's "Wrong Way To Love" and Jay's "Lick On My Leather," eliminating two live tracks. We think they have the best bullshit detector in the scene.

The result of this recording was a blast of punk, garage punk, and psychedelic mayhem. These guys are one of the funniest bands around, but they ain't playin' when their songs take on issues like misguided nationalism or technology or Midwestern despair.

Sonically, the dynamic range is thicker, crisper and more powerful on this album. The songs are even catchier, more anthemic, and the production reflects that of a band truly come into its own.

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